8 December 2014

Penguins of Madagascar Review

‘Penguins of Madagascar’ is a movie adaptation of a TV show which was a character spin-off of a sequel to the sequel of ‘Madagascar’. In it, Madagascar’s side characters travel to every part of the world except Madagascar to go on a mission with an inter-species task force called the North Wind to stop a villain from taking away the cuteness of all penguins.


Dreamworks Animation has been in a little bit of a rut. With Mr Peabody & Sherman, Turbo and Rise of the Guardians all financially underperforming, it was clear that Dreamworks’ strategy of making 3 films a year was failing greatly and despite The Croods and How to Train Your Dragon 2 performing decently, they have not done enough to cover up financially for the others. Ever since the Shrek franchise, in fact, there has only ever been one Dreamworks Animation franchise that has given them similar financial success, and that is their Madagascar trilogy. So, instead of making a sequel for actually good films like Megamind, Dreamworks has decided to forward production on a Madagascar spin-off. In fact, Dreamworks was so desperate that CEO, Jeff Katzenberg, decided in the last minute, to push this Penguins film from a 2015 release to this November 2014 release date which was initially scheduled for their new film, ‘Home’. Can the Penguins not only save the other penguins of the world but also save Dreamworks Animation?

Originally envisioned and planned to be a direct-to-video release, the Penguins of Madagascar was never supposed to be on the big screen and it shows. With one of the worse scripts and character developments of any film I have seen all year, the whole film felt like a long episode of the now cancelled TV show with a villain-of-the-day type scenario. The addition of the North Wind, though adding some much needed star-power, took so much screen time away from the Penguins that the Penguins at one point began to feel like side characters in their own film. Because of the amount of characters on screen, none, except maybe Private, were given any sort of opportunity to have a proper arc, therefore leading to them becoming boring stereotypes and causing the characters to end up being nothing more than pixels on screen to the audience.

The only positives of the film.
In terms of voice acting, Benedict Cumberbatch and John Malkovich provide their voices for this film. Both of them do an amazing job and are the only real positives of the film. Cumberbatch shows that he can do an all out comedy and brings so much to the table that his character nearly became interesting at times. Malkovich shines as the voice of the villain and along with the interesting animation of how the octopus villain stretches like the 2D cartoons of old, really creates a decent villain which I almost ended up routing for since he was the only character with any sort of personality. Other than these two, however, the voice acting is abysmal in every way. At times, it felt like the actors were just reading off the page with no proper direction as to what is going on on-screen. The other members of the North Wind probably have less than 10 lines each in the film while each of the Penguins sound the same whether they are in an action scene or just talking privately with each other.

Despite the quality of Cumberbatch’s performance, his character as a whole is pointless in all regards. Despite being such a major part of the film, his character brings nothing interesting to the film other than his voice and was so inconsequential that he was nearly annoying at times. Every other character was the same in most aspects and even though the film could not have lasted for more than an hour and a half, I found myself wishing for it to end half way through as I was stuck watching these annoying characters laugh at their own jokes, give each other unfunny high ones and pat themselves on the back thinking they are doing such a good job.

If we move the tall guy to the left,
no one will notice it's the same thing!
As for the premise and story of the film, Penguins of Madagascar is a espionage film and it shows you that it is by hitting every single predictable note any typical espionage film hits. I felt like I could hear the director shouting at the audience things like, “Now it’s time for the scene where the bad guy captures the main character and reveals his plan,” and, “Now the Penguins will be kicked off the mission but don’t worry, they’ll be back to save the day!” and “Now it’s time for the emotional scene which we so blatantly set up in the first 10 minutes of the film!” Within 15 minutes of the film, one can easily figure out how the film is going to end. In fact, if you at anytime feel like you have seen this film before, it is because you have. In fact, I can tell you when you did. Just last year. In Despicable Me 2. That villain also had a giant ray that turns all the cute minions into crazy monsterous things. In fact, the films were so similar that at one moment I thought that Penguins would be the origin story of the minions. So if there was ever any doubt that this film was a sloppily put together and rushed out product with the sole intention of capitalising on the similarly undeserved success of the minions last year, it would be clear by the end of the film.

However, amidst all the unfunny and sometimes creepy subtle jokes involving animal abuse, child abuse, cross dressing, cultural-stereotyping and cannibalism, there was one long running joke that did have me laughing. It was the only joke I laughed at and most people in the audience didn’t even catch it because it didn’t have the pause that many people need these days to tell them it is a joke and they should laugh. It was the joke involving celebrity names like Nicholas Cage and Drew Barrymore. It was the only thing that I felt was creative in the film and was a small ray of light in the horrible filth Dreamworks has put out this time.

Did I also mention one of the worse
female characters ever put on film?
And then there is the moral. Spoilers ahead but, honestly, if you are worried about spoilers for Penguins of Madagascar, I don’t know what to say to you. At the end, because the film thinks you may be too stupid to understand the message they are trying to convey, the Penguins actually tell you straight up that it is about outward appearance not being important and it is what is on the inside that counts. Now, in case I accidentally watched an entirely different film, that is not what was being conveyed in the film at all. In fact, it is the exact opposite. The villain became evil because everyone loved the penguins’ outward cuteness more than his own talent and inside qualities. He then plans to turn all penguins into ugly monsters so people will hate them. It worked and people hated them and tried to exterminate them. And then the penguins had to use Private’s outer cuteness to defeat the inner and outer ugliness of the monster penguins. The villain also gets hit with the cute ray and becomes outwardly cute despite being inwardly evil but a little girl seeing his outer beauty finally shows him love. So the film is about fighting to be outwardly beautiful so people will love us. So how in the world did they conclude that it was the other way around?

What Dreamworks thinks of us.
Boring, lazy, unfocused and stupid are words to describe this film when I’m feeling nice as this is one of the worst animations I have ever seen in a theatre. I don’t even think it is a good film for children. The film refuses to focus on any one character and though most may say that it is focused on Private, it only did so at the start and at the end. In between, there was an unnecessary change of focus to Skipper which led to an ‘emotional scene’ that just felt like things happening on screen with deafening “you’re supposed to be sad now” music playing. I actually feel like I’ve become more stupid after watching this film. The good news is that the film is so forgettable that I have actually already forgotten everything about it except the end of the movie. At the end of the film, I felt like part of that Simpsons Movie scene. I can’t believe I just paid for something I can get for free on TV.

Am I being too harsh on the film? In fact, I think I was being quite withdrawn. I did not even mention the blatantly displayed Madagascar signs just to remind you of the franchise, or the overly long climax, or the inconsistencies of the film to the world they set out in the original Madagascar, or how they made some scenes for no reason other than to make one stupid joke. If this film had come out on TV and I had watched it, then I would have been kinder to it. But as Dreamworks Animation has felt the need to want people to give them money to watch it in a theatre, the film has to reach a certain standard, and it does not. Not by a long shot. Because of Cumberbatch and Malkovich’s performances and that celebrity-naming joke, the film is not completely negative and can therefore qualify for a rating that is a little better than my original rating when I came out of the theatre, not that it makes much of a difference.

Animated Movie Rating: 3/10
Movie Rating for Kids: 4/10
After Credits Movie Rating: 2/10


The new video from the FineBros channel on
YouTube sums it all up.
A friend of mine suggested after the film that we can no longer have proper animations anymore because kids these days won't be able to appreciate or understand films like Lion King or Toy Story. Could that be true? Is it possible that the quality of animated films these days has dropped so tremendously that it has lowered the film intellect of an entire generation? Are ‘cute’ films more appreciated by teens these days than films with proper narratives and character development? Do people these days want the same movie over and over again with no desire for anything remotely creative or new? I don’t know if it is true, but I refuse to accept it. Film can be a form of art, even to children, and where there is art, there will always be people that can appreciate it. Film can be a source of communicating subtle messages that make important statements about the world we live in and an indication of what we are headed to. They can be a source of inspiration or a warning not to repeat mistakes of the past. They can be a way that one person can speak out against a powerful organisation. We cannot settle for a world where films are merely watched to see things moving on a big screen or with the sole message of an animal or creature being cute because it has big eyes or a rounded body. There is so much more potential than that. It’s not unheard of, even in animation in the last few years. Films like Wreck-It Ralph or Toy Story. More people need to champion smart animated films that can inspire children while still giving them a good time. And since I see no one actually doing it, I guess I will have to be that person this time. I know I can’t be the only one who feels that way and I hope that this little section will resonate with the reader.

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