The
Iron Giant (1999) is an animated movie about a boy who meets a robot
that he did not create and teaches the robot to be a hero. As the boy’s life
starts to go downhill, he pours his heart and soul into the robot and finds he
has a new best friend in him while the robot learns the meaning of love,
self-sacrifice and heroism from the boy. When an evil villain wants to take a
piece of technology from the boy, the boy, his outcast friend and his robot
must work together to stand up against him. Now, here is a review of Big Hero
6.
Big
Hero 2+4 is the new Disney 3D animated movie following Tangled, Wreck-It Ralph
and Frozen. Although it is based on a Marvel comic, the film changes a lot from
the comics including everyone’s origin story, some powers and even Wasabi’s
race. The film is almost nothing like the comic and because of this, Marvel has
refused to do any sort of marketing for the film. Nevertheless, Disney received
very little backlash from the comic book community as the fan base of the
series is not that big to begin with. Most of the changes Disney made was very
kid-friendly as, for example, the original Baymax in his Dragon form would
probably have given kids nightmares. Also, for example, Fredzilla is probably better
off being a guy in a costume then a guy who can actually turn into a
dinosaur-like monster.
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| Was Disney wise to change how Baymax looked? |
All
eyes are on Disney after Frozen became the most financially successful animated
movie of all time and the question is whether or not Disney can replicate their
performance from Frozen. In terms of financial success it will certainly
succeed, especially in merchandise sales. Toys of Baymax will easily fly off
the shelves as he is one of the best supporting character in a 3D animated film
since Jessie in Toy Story 2. Most of the marketing for this film is based on
Baymax and it is easy to see why as he is likable, enduring and absolutely
huggable in every scene he appears in and is easily the star of the show. His
fist bump joke, though done in almost every robot movie in history, is still
adorable and funny and actually pays off at the end. A great change of design
from the comics, he is one of the very few ‘cute’ characters in animated films
that I actually enjoyed seeing on screen. He is the best part of the film and is
a great addition to the Disney universe.
The
ever-lovable Baymax is not the only strong character in the film. Main
character, Hiro Hamada, is a combination of two characters in the comic and is
voiced by Ryan Potter who does an amazing job playing a very good character.
Hiro is a genius level kid who is joined on-screen with his brother Tadashi,
who is just as likable as he is. After Frozen did a good job creating a strong
sister relationship, Disney yet again succeeds in this time making a great
brother one. The two brothers played off each other perfectly with Hiro
emulating the charisma of the likes of Aladdin and Tadashi being the greatest
brother anyone could ever dream of.
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| Nuff' said. |
There
is, however, one character that is overlooked by many but is my personal
favourite. Honey Lemon, aka blonde thin nerdy girl with ball throwing powers,
may well be one of my favourite female characters in an animation since characters
from the 90s like Belle. Though greatly underused in the film, she exemplified
perfectly what a female character should be in film. First of all, she doesn’t
look like every other 3D animated female Disney character. Elsa, Anna, their
mum, Rapunzel, Aunt Cass and GoGo Tomago all look exactly the same and this is
probably a gimmick by Disney to try to make the audience draw subtle nostalgic
connections between the films. She was
also the only character, other than Hiro, that looks and acts like she is
actually smart. She isn’t an annoying stereotype like Fred being a lazy silly
comic book loser or GoGo Tomago being the badass biker chick or Wasabi the cool
buff black dude. She is a very new kind of character. She is smart although
blonde, her power requires calculation and chemical input into her purse, while
also being pretty and maintaining her girly side. She isn’t a girl who is trying
to be one of the guys. She isn’t a girl slobbering over a guy. She isn’t a
crazy, loud girl or a quiet, emo girl. She isn’t a character who runs around
caring for no one and nothing other than accomplishing her goal. She is simply
a girl who acts like a real girl, cares for her friends and is still smart and
does cool things. She is the only one smart enough to put the chip in Baymax when
everyone else just pushed him and she is the only one who I actually believe cared
about Hiro. Though she has so little screen time, she is a huge character that
many people overlook and I hope she will have a bigger role in the inevitable
sequel.
Though
a good film, it is clearly a film for kids rather than for adults. With the
most cliché storyline ever in film that hits every note one expects it to hit,
it brings nothing new to the table and leaves no lasting impression with the
audience other than “Baymax is cute”. The writers, clearly looking for a way to
do the minimum work possible, produces the most boring storyline in a superhero
movie ever. The side characters, especially the other team members, are so
underused that the film should not have even been called Big Hero SIX. The ‘big
reveal’ in the film is not shocking in the slightest and will only surprise
someone who has never seen a movie in their life. Filled to the brim with cute
jokes and long silent shots of someone doing something slowly while
someone else watches him, which is apparently supposed to be funny, it is more
of a kid movie than anything. The film is like every other film ever made and in
fact copied many of its jokes and emotional scenes from different films,
especially The Iron Giant and even Wreck-It Ralph, since audiences these days
apparently want the same thing over and over again. With a very normal
backstory and a weak villain with a normal motivation and a very normal focus
on a main character and his non-human friend, the best description for the film
is just that. Normal. It’s still good, just normal… and cliché.
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| The best Disney has to offer. |
There
are two things I’d like to discuss before wrapping things up. The first is
about Disney villains in recent times. The villain in Big Hero 6 is arguably the
worst villain in any Disney film ever. The villain from Frozen is almost as bad.
Disney is the studio that created the most iconic villains in film history, which
includes the likes of Scar, Ursula, Maleficent, Jaafar, Captain Hook, Gaston,
Shere Khan, Hades and the Evil Queen in Snow White. Each and every one so
different and yet so menacing and pure evil. Why is it that Disney has fallen
from those to these very weak villains? Here is a theory. Since the success of
the superb reveal of the villain in Wreck-It Ralph, Disney has, for some
reason, decided to make all their villains a plot twist character, therefore
replacing good character development for the villain with mere shock value. We
are never able to see the villain having any sort of a character arc and
therefore connect in no way to the villain, causing the reveal to be
eye-rollingly boring and making the villain completely forgettable. Though
Wreck-It Ralph does it somewhat well, Frozen and Big Hero 6 fails to provide a
proper villain and therefore causes the stakes to not feel at all high and
removes a lot of the tension from the climax of the film.
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| #mindblownomgbesttwistever |
The
second thing I would like to discuss is the controversial topic of emotional
manipulation. An emotional scene has to be earned by a film. It cannot just be
thrown into a film just to provoke emotions from the audience to trick them
into thinking they have seen an amazing film. That is what Adam Sandler does in
all of his films. It has to either progress the storyline or develop the arc of
a character, much like Mufasa’s death in Lion King, which not only changed the
tone and progression of the film but also developed both Simba and Scar into
the iconic characters that they are today. Wreck-It Ralph also did it well as
it was a profound symbolism of Ralph becoming everything he hates to save the
life of someone he cares about. It should not be shoved into a film with no
consequence or pointlessly put there with no real effect on the story. If there
is no consequence to the story due to the emotional scene, it is a form of
emotional manipulation. There are a few emotional scenes in Big Hero 6. Two to be exact. One of them is good, the one in the relative middle of the film.
It was well set up and developed more than one of the characters while also
being an important step in characters learning the meaning of being a hero. The other
emotional scene, at the very end, was bad and is the epitome of emotional manipulation. It
occurs solely to make the audience sad and literally does nothing to develop
the story or any character in any way whatsoever. The only reason it is there
is to make people sad. That is emotional manipulation and it is a form of lazy filmmaking
and writing.
Despite
the problems in writing, the film is difficult to dislike. It is still very
likable and a relatively good film. This is largely due to the likability of
most of the characters and the amazing world the animators have built. The
fictional city of San Fransokyo is a nearly perfect combination of eastern and
western culture. Such a well-built world should be given credit and it is the
reason despite the bad writing in this particular film, many people are still
attracted to it. The attention to detail is astounding in every scene in
the city and this along with their great characters will make for a great
sequel. And for the observant fan, Stan Lee does, in fact, have a cameo as it
is technically still a Marvel film. There is also an after credits scene which
no one in my theatre stayed back for.
At the end of the day, Big Hero 6 is a normal film. It still deserves a positive
rating as it is definitely likable and is a film that children will really
enjoy. Perhaps it is due to the fact that I grew up on films like Toy Story, Lion
King, Aladdin and Beauty and the Beast, but I expect a lot more from animated
films, than just films about revenge and cute characters, especially when it comes to Disney.
I’d take a good story over cute characters any day and that’s how it should be.
If we, as the audience, do not raise our standards and expectations, studios
will continue to do lazy work and forgo the potential such great characters
present.
Animated Movie Rating: 6.5/10
Superhero
Movie Rating: 5/10
Movie
Rating for Kids: 8.5/10
After Credits Movie
Rating: 6/10





I agree with you regarding the very weak villain and intentionally sad ending in BH6. I am also left wanting more from the other characters but am not too fussed about it, seeing as they have to make it a shorter movie than usual (considering its target audience's attention span). This being an origin movie, the main focus has to be on Hiro and Baymax, their backstory, and how they eventually formed the group of six - this leaves very little left for the others but can possibly pave the way for further development in future films.
ReplyDeleteWhat I disagree with, however, is your brushing off the plot as "cliched" and "bringing nothing new to the table". Disney has brought at least three new things to the table with this film, but isn't one that is immediately noticeable to an audience that isn't particularly looking out for it. The first is one you have already (unwittingly) mentioned: the lack of romantic interest or infatuation of any sort - not just for Honey Lemon, but for every single character in the movie. I cannot recall any animated movie, at present that has ever managed this. The plot is anchored firmly in the theme of familial love and the movie has managed it wonderfully. There is no need for anyone to develop crushes; the aunt isn't married; the villain has a daughter but has no wife; there are tonnes of teens featured but there is no lovey-dovey nonsense. Disney has managed to make their plot romance-free, for once in decades, perhaps for the first time ever. Almost every single one of their successful and memorable films have made romance a significant plot point to advance the story – and this is their attempt to break free from it. It’s not the best try (the villain really needs much stronger character development), but one that still deserves kudos for its mere attempt.
Tied to the aforementioned point is racial representation in the characterisation. For once, people of colour take center stage. For once, white people are the minority in the plot. I won’t say minority in general, because everyone else in the city seems to be white except for the core/support characters. The characters have managed to break free from some stereotypes. Honey Lemon is a strong Latino female character and is able to hold her own in dire situations. She’s empathetic and likes to take selfies, but she is far from the stereotypical dumb blonde one might expect her to be. Wasabi is an African-American who is buff, but that is where the stereotype ends. He is a neat freak and is almost always the first one to back down from a fight. He isn’t the scary, menacing black man that muscles his way through obstacles that is so often portrayed in the media. Of course there’s the very stereotypical “I like my hair coloured and I’m so badass” Asian chick and the stoner white guy in the group – I don’t quite like their portrayal but so far, so good. So Disney has managed to, for the first time, not only put together a romance-free plot but also managed to feature minority people in it.
The third thing the movie has managed to do is one that is perhaps the most subjective of the three. In my opinion, Disney has done an excellent job at highlighting Hiro as not only a child prodigy but also as a child that is suffering from loss. Hiro’s sorely needs friends; for someone his age, it is strange that the people he is closest to are his brother’s friends whom he had met only once. The very real struggle of an extremely gifted child, but who is unable to make any friends among his peers because of it, is implied in the movie but it was never directly mentioned. Hiro also seems to be somewhere along the line of the autism spectrum disorder – I won’t go into that – but what I’m trying to say is that the mainstream audience merely sees a kid with a really good brother, loses said brother, bonds with robot and gets a happy ending. What isn’t so clear is that there are many individuals out there who will personally see themselves in Hiro and identify with the obstacles he has faced in the movie. In terms of characterisation and plot, Disney has done wonderful things for Hiro as they show children how it is possible for someone very much like them to overcome very real struggles like not being able to make friends or overcoming the loss of a loved one, among other things.
ReplyDeleteTo wrap it up, for the general audience who isn’t really looking into the nitty-gritty things, BH6 may be just an amusing, likeable movie with a cute robot mascot. However, Disney seems to have refocussed onto minority individuals and exploring new themes in this new film and for that, it definitely has as much heart and soul as their more memorable films. The only sad thing is that the film industry these days seems to have milked themselves dry of ideas – it is only a matter of time before something gets recycled in one way or another.
Though I don't really agree with the minority point, as Disney has long been using minority characters such as in Mulan, Aladdin, Pocahontus and the Princess and the Frog, and, to the first point, I think Frozen was moving towards family love as well which is always cool, I really like the perspective taken on that third point. I had not seen it in that way and it is always nice to have a film with which a group like that can relate to. The first half of the film really does shown Hiro going through those problems. Every child needs a film to connect to and I'm glad this is one that this group can. Disney should be well applauded for that. Very good observation. Thanks Zachary.
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